Motion pictures, 1960-1969 : Catalog of copyright entries
Let's be clear: this is not a novel. 'Motion Pictures, 1960-1969: Catalog of Copyright Entries' is exactly what it says on the tin—a reprinted government catalog. There's no narrative, no characters in the traditional sense. Its 'plot' is the methodical, year-by-year listing of titles, claimants, and registration details for every piece of film registered with the U.S. Copyright Office during that explosive decade. You won't find reviews or behind-the-scenes gossip. You will find 'Psycho' listed right alongside a training film about tractor safety.
Why You Should Read It
This is where it gets weirdly fascinating. Flipping through it (or more realistically, searching a digital copy) is like archaeology. You see the birth of iconic franchises and the quiet death of projects that never saw the light of day. The juxtapositions are hilarious and telling. It captures the entire spectrum of human endeavor, from high art to pure commerce, all given equal weight by the bureaucracy of copyright. It reminds you that culture is messy, vast, and often surprisingly mundane at the point of creation.
Final Verdict
This is a specialist's treasure, not a casual read. It's perfect for film historians, data nerds, writers researching the period, or anyone with a deep, abiding love for cinematic rabbit holes. Don't sit down to 'read' it cover-to-cover. Instead, dive in to answer a specific question or just get lost in its strange, sprawling reality. It's the most boring-looking book that contains a whole universe.
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