Try and Trust; Or, Abner Holden's Bound Boy — A Reader’s Guide

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Alger, Horatio, Jr., 1832-1899 Project Gutenberg 2004 Not confirmed
Orphans -- Juvenile fiction; Conduct of life -- Juvenile fiction; Honesty -- Juvenile fiction; Social classes -- Juvenile fiction; Wealth -- Juvenile fiction; New York (N.Y.) -- History -- 1775-1865 -- Juvenile fiction Readers of public-domain and historical texts
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Words 60,048
Reading time 262 min
Text sections 10

The source record for Try and Trust; Or, Abner Holden's Bound Boy — A Reader’s Guide measures this digital text at 60,048 words, 4 hr 22 min estimated reading time, and 10 detected text sections.

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An editorial note on Horatio Alger's 'Try and Trust', focusing on its narrative voice, shifts in pace, and the interplay between dialogue and action in the opening chapters and later scenes.
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re he had invested the few hundred dollars remaining to him in a farm, from which he was able to draw a scanty income. Being a man of liberal education, he had personally superintended the education of his son till his death, two years before, so that Herbert's attainments were considerably in advance of those of other boys of his age in the neighborhood. He knew something of Latin and French, which made him looked upon as quite a model of learning by his playmates. After his father's death he had continued the daily study of the languages, so that he was able to read ordinary French with nearly as much ease as if it were English. Though studious, he was not a bookworm, but was distinguished in athletic sports popular with boys of his age.

Enough has been said of our hero by way of introduction. Herbert's faults and virtues will appear as the record of his adventures is continued. It may be hinted only that, while he was frank, manly, and generous in his disposition, he was proud and high-spirited also, and perhaps these qualities were sometimes carried to excess. He would not allow himself to be imposed upon if he could help it. Being strong for his age, he was always able to maintain his rights, but never abused his strength by making it the instrument of tyrannizing over weaker boys.

Of course Herbert felt somewhat anxious as to his future prospects. He knew that the doctor had written to his Uncle Benjamin about him, and he hoped that he might be sent for to New York, having a great curiosity to see the city, of which he had heard so much.

“Have you heard from my uncle, Dr. Kent?” he inquired, a few days after the scene recorded in our first chapter.

His question was prompted by seeing the doctor coming into the yard with an open letter in his hand.

“Yes,” said Dr. Kent, with troubled expression and perplexed took.

“What does Uncle Benjamin say?” asked our young hero, eagerly.

“Nothing very encouraging, Herbert, I am sorry to say,” returned the doctor. “However, here is the letter; you may read it for yourself.”

Herbert received the letter from the doctor's hands and read it through with feelings of mortification and anger.

“DEAR SIR: I have to acknowledge yours of the 10th inst. I regret to hear of my sister's decease. I regret, also, to hear that her son, Herbert, is left without a provision for his support. My brother-in-law I cannot but consider culpable in neglecting to lay up something during his life upon which his widow and son might depend. I suspect that he must have lived with inconsiderate extravagance.

“As for myself, I have a family of my own to provide for, and the expense of living in a city like this is very great. In justice to them, I do not feel that it would be right for me to incur extra expense. You tell me that he is now fourteen and a stout boy. He is able, I should think, to earn his own living. I should recommend that he be bound out to a farmer or mechanic. To defray any little expenses that may arise, I enclose ten dollars, which I hope he may find serviceable. Yours etc.,

This cold and selfish letter Herbert read with rising color, and a feeling of bitterness found a place in his young heart, which was quite foreign to him.

“Well, Herbert, what do you think of it?” asked the doctor.

“I think,” said Herbert, hotly, “that I don't want to have anything to do with an uncle who could write such a letter as that.”

“He doesn't seem to write with much feeling.” acknowledged the doctor.

“Feeling!” repeated Herbert; “he writes as if I were a beggar, and asked charity. Where is the money he inclosed, Dr. Kent?”

“I have it here in my vest pocket. I was afraid it would slip out of the letter, and so took care of it.”

“Will you let me send it back to my uncle?” asked Herbert.

“Yes, Dr. Kent; I don't want any of his charity, and I'll tell him so.”

“I am afraid, Herbert, that you are giving way to your pride.”

“But isn't it a proper pride, doctor?”

“I hardly know what to say, Herbert. You must remember, however, that, as you are left quite unprovided for, even this small sum may be of use to you.”

“It isn't the smallness of the sum that I mind,” said Herbert. “If Uncle Benjamin had written a kind letter, or showed the least feeling in it for me, or for--for mother [his voice faltered a moment], I would have accepted it thankfully. But I couldn't accept money thrown at me in that way. He didn't want to give it to me, I am sure, and wouldn't if he hadn't felt obliged to.”

Dr. Kent paced the room thoughtfully. He respected Herbert's feelings, but he saw that it was not wise for him to indulge them. He was in a dependent situation, and it was to be feared that he would have much to suffer in time to come from the coldness and selfishness of the world.

“I will tell you what to do, Herbert,” he said, after a while. “You can accept this money as a loan, and repay it when you are able.”

“Yes, with interest, if you prefer it.”

“I shall be willing to accept it on those terms,” said Herbert; “but I want my uncle to understand it.”

“You may write to your uncle to that effect, if you like.”

“Very well, Dr. Kent. Then I will write to him at once.”

“You will find some paper in my desk, Herbert. I suppose you will not object to my seeing your letter.”

“No, doctor, I intended to show it to you. You won't expect me to show much gratitude, I hope?”

“I won't insist upon it, Herbert,” said the doctor, smiling.

Herbert in about half an hour submitted the following note to the doctor's inspection. It had cost him considerable thought to determine how to express himself, but he succeeded at last to his tolerable satisfaction.

“UNCLE BENJAMIN [so the letter commenced]: Dr. Kent has just shown me your reply to his letter about me. You seem to think I wish you to support me, which is not the case. All I should have asked was your influence to help me in obtaining a situation in the city, where I might support myself. I am willing to work, and shall probably find some opportunity here. The ten dollars, which you inclose, I will accept AS A LOAN, and will repay you as soon as I am able, WITH INTEREST. HERBERT MASON.”

“Will that do?” asked Herbert.

“You were careful not to express any gratitude, Herbert,” he said.

“Because I don't feel any,” returned Herbert, promptly. “I feel grateful to you, Dr. Kent, for your great kindness. I wish I could pay you for that. I shall never forget how you attended my mother in her sickness, when there was small prospect of your being paid.”

“My dear boy,” said the doctor, resting his hand affectionately on Herbert's shoulder, “I have been able to do but very little. I wish I could do more. If you wish to repay me, you can do it a hundred times over by growing up a good and honorable man; one upon whom your mother in heaven can look down with grateful joy, if it is permitted her to watch your progress here.”

“I will do my best, doctor,” said Herbert.

“The world is all before you,” proceeded Dr. Kent. “You may not achieve a brilliant destiny. It is permitted to few to do that. But whether your sphere is wide or narrow, you may exert an influence for good, AND LEAVE THE WORLD BETTER FOR YOUR HAVING LIVED IN IT.”

“I hope it may be so,” said Herbert, thoughtfully. “When I am tempted to do wrong, I will think of my mother.”

“It is the very best thing you can do, Herbert. And now for your plans. I wish I were in a situation to have you remain with me. But as that cannot be, I will do my best to get you a place.”

“I ought to be at work,” said Herbert, “as I have my living to get. I want you to take that ten dollars, doctor, as part payment of the debt I owe you.”

The doctor shook his head.

“I can't do that, Herbert, not even to oblige you. You were too proud to accept a favor from your uncle. You will not be too proud, I hope, to accept one from me?”

“No, doctor; I am not too proud for that. You are my friend, and my uncle cares nothing for me.”

When Herbert's letter reached New York, his uncle felt a momentary shame, for he saw that his nephew had rightfully interpreted his own selfishness and lack of feeling, and he could not help involuntarily admiring the independent spirit which would not allow him to accept the proffered money, except as a loan. But mingled with his shame was a feeling of relief, as he foresaw that Herbert's pride would not suffer him to become a burden upon him in the future. He hardly expected ever to see the ten dollars returned with interest; but even if he lost it, he felt that he should be getting off cheap.

It was a week later when an incident befell Herbert which is worthy of mention, since it brought him into collision with a man who was destined to have some influence over his future life.

A neighboring farmer, for whom, during his mother's life, he had occasionally gone on errands, drove up in front of the doctor's house, and asked Herbert if he could take his horse and wagon and drive over to the mill village to get some corn ground. Herbert was rather glad to accept this proposal, not only because he was to receive twenty-five cents for so doing, but also because he was fond of driving a horse.

He was only about a mile from the mill village, when he saw approaching him a man in a light open buggy. Herbert knew every horse in Waverley, and every man, woman, and child, for that matter, and he perceived at once that the driver was a stranger. To tell the truth, he was not very favorably impressed by his appearance. The man was very dark, with black hair and an unshaven beard of three days' growth, which did not set off his irregular and repulsive features. His mouth, partly open, revealed several yellow tusks, stained with tobacco juice. On his head he wore a broad-brimmed straw hat, rather the worse for wear.

It so happened that just at this point the middle of the road was much better than the sides, which sloped considerably, terminating in gullies which were partly full from the recent rains. The road was narrow, being wide enough for two vehicles to pass each other, if each veered to the side, but not otherwise.

Herbert observed that the buggy, which was now rapidly approaching, was kept in the center of the road, and that the driver appeared to have no intention of turning out.

“What does he mean?” thought our hero. “He cannot expect me to do the whole of the turning out. I will turn out my half, and if he wants to get by, he must do the same.”

Accordingly, he turned partially to one side, as much as could be reasonably expected, and quietly awaited the approach of the man in the buggy. The latter still kept the center of the road, and did not turn out his carriage at all. As soon as it was close at hand, the driver leaned forward and exclaimed angrily:

If he expected that Herbert would be intimidated by his tone he was much mistaken. Our hero was bold, and not easily frightened. He looked quietly in the man's face, and said composedly, “I have turned out.”

“Then turn out more, you young vagabond! Do you hear me?”

“Yes, sir, I hear you, and should if you didn't speak half so loud.”

“Curse your impudence! I tell you, turn out more!” exclaimed the stranger, becoming more and more angry. He had expected to get his own way without trouble. If Herbert had been a man, he would not have been so unreasonable; but he supposed he could browbeat a boy into doing whatever he chose to dictate. But he had met his match, as it turned out.

“I have already given you half the road,” said Herbert, firmly, “and I don't intend to give you any more.”

“You don't, eh? Young man, how old are you?”

“I should think you were forty by the airs you put on.”

“Is it putting on airs to insist on my rights?” asked our hero.

“Your rights!” retorted the other, laughing contemptuously.

“Yes, my rights,” returned Herbert, quietly. “I have a right to half of the road, and I have taken it. If I turn out any more, I shall go into the gully.”

“That makes no difference. A wetting won't do you any harm. Your impudence needs cooling.”

“That may be,” said Herbert, who did not choose to get angry, but was resolved to maintain his rights; “but I object to the wetting, for all that, and as this wagon is not mine, I do not choose to upset it.”

“You are the most insolent young scamp I ever came across!” exclaimed the other, furiously. “I've a good mind to give you something much worse than a wetting.”

“Such as what?” asked our hero, coolly. In reply the man flourished his whip significantly. “Do you see that?” he asked.

“Oh, very well,” said the other, ironically; “I'm glad you do. Perhaps you wouldn't like to feel it?”

“No, I don't think I should,” said Herbert, not exhibiting the least apprehension.

The stranger handled his whip, eyeing our hero viciously at the same time, as if it would have afforded him uncommon pleasure to lay it over his back. But there was something in the look of our hero which unconsciously cowed him, and, much as he wished to strike him, he held back.

“Well, you're a cool hand,” he said, after a moment's hesitation.

To this our hero did not see fit to make any reply. But he grasped his own whip a little tighter. So brutal had been the tone assumed by the stranger, that he was not sure but he might proceed to carry out his threat, and lay the whip over his back. He determined, in that case, to give him as good as he sent. I will not express any opinion as to the propriety of this determination, but I am certain, from what I know of our hero's fearless spirit, that he would not have hesitated to do it, be the consequences what they might. But he did not have the opportunity.

“Once more,” demanded the stranger, furiously; “are you going to turn out?”

“No,” said the boy, decidedly.

“Then--I'll run you down.”

So saying, he brought the whip violently on the horse's back. The latter gave a convulsive spring forward. But his driver had not taken into consideration that the farm-wagon was the stronger of the two vehicles, and that in any collision the buggy must come off second best. So it happened that a wheel of the buggy was broken, and the driver, in the shock, thrown sprawling into a puddle on the other side of the road. The wagon suffered no damage, but the old horse, terrified, set off at a rapid pace. Herbert looked back to see if the stranger was injured, but seeing that he had already picked himself up unwounded, but decidedly dirty, he concluded to keep on his way to the mill.

The driver of the overturned vehicle was considerably more angry than hurt at this catastrophe.

It chafed his pride not a little to think that, after all his vaunts, the boy had maintained his ground, and got the better of him. For a man of forty-five to be worsted by a boy of fourteen was, it must be confessed, a little mortifying. It was something like a great ship of the line being compelled to surrender to a little monitor.

No one feels particularly dignified or good-natured when he is picking himself out of a mud puddle. Our black-haired acquaintance proved no exception to this remark. He shook his fist at the receding wagon and its occupant--a demonstration of defiance which our hero did not witness, his back being now turned to his late opponent.

Mr. Abner Holden--for this was the stranger's name--next turned his attention to the buggy, which had been damaged to some extent, and so was likely to involve him in expense. This was another uncomfortable reflection. Meanwhile, as it was no longer in a fit state for travel, he must contrive some way to have it carried back to the stable, and, unless he could procure another vehicle, perform the rest of the journey on foot.

Luckily, some men in a neighboring field had witnessed the collision, and, supposing their services might be required, were now present to lend their aid.

“Pretty bad accident,” remarked one of them. “That 'ere wheel'll need considerable tinkering afore it's fit for use. How came you to get it broke so, squire?”

“A little rascal had the impudence to dispute the road with me, and would not turn out at my bidding,” said Mr. Holden, in a tone of exasperation, which showed that his temper had been considerably soured by the accident.

“Wouldn't turn out? Seems to me from the marks of the wheels, you must have been drivin' along in the middle of the road. I guess you didn't take the trouble to turn out, yourself.”

“Well, there was room enough for the boy to turn out one side,” said Holden, doggedly.

“You are slightly mistaken, stranger,” said the other, who was disgusted at the traveler's unreasonableness. “There wasn't room; as anyone can see that's got eyes in his head. Didn't the youngster turn out at all?”

“Yes,” snapped Holden, not relishing the other's free speech.

“Then it seems you were the one that would not turn out. If you had been a leetle more accommodating, this accident couldn't have happened. Fair play's my motto. If a feller meets you halfway, it's all you have a right to expect. I reckon it'll cost you a matter of ten dollars to get that 'ere buggy fixed.”

Holden looked savagely at the broken wheel, but that didn't mend matters. He would have answered the countryman angrily, but, as he stood in need of assistance, this was not good policy.

“What would you advise me to do about it?” he inquired.

“You will have to leave the buggy where it is just now. Where did you get it?”

“Over at the mill village.”

“Well, you'd better lead the horse back--'tain't more'n a mile or so--get another wagon, and tell 'em to send for this.”

“Well, perhaps that is the best way.”

“Where was you goin'?”

“That's where the boy came from.”

“The boy that upset you.”

“What is his name?” asked Abner Holden, scowling.

“His name is Herbert Mason, son of the Widder Mason that died two or three weeks since. Poor boy, he's left alone in the world.”

“Where's he stopping?” asked Holden, hardly knowing why he asked the question.

“Dr. Kent took him in after the funeral, so I heard; but the selectmen of Waverley are trying to find him a place somewheres, where he can earn his own livin'. He's a smart, capable boy, and I guess he can do 'most a man's work.”

Abner Holden looked thoughtful. Some plan had suggested itself to him which appeared to yield him satisfaction, for he began to look decidedly more comfortable, and he muttered to himself: “I'll be even with him YET. See if I don't.”

“How far am I from Waverley?” he asked, after a slight pause.

“Well, risin' three miles,” drawled the other.

“If I could get somebody to go back with this horse, I don't know but what I'd walk to Waverley. Are you very busy?”

“Well, I don't know but I could leave off for a short time,” said the other, cautiously. “Work's pretty drivin', to be sure. What do you cal'late to pay?”

“How much would it be worth?”

“Well, there's the walk there and back, and then again there's the time.”

“You can mount the horse going.”

“I guess fifty cents'll about pay me.”

Mr. Holden took out his pocketbook and paid the required sum.

Horatio Alger's Try and Trust; Or, Abner Holden's Bound Boy opens with a breakfast-table conversation that immediately establishes a tone of domestic calculation. Mr. Benjamin Stanton's discussion with his wife about his sister's death and her orphaned son reveals a world where emotional response is secondary to social and financial convenience. The wife's indifference—'Dear me!... and I am just out of mourning for my aunt'—and the husband's willingness to avoid public mourning set a pattern of pragmatic self-interest that the narrative will repeatedly test against the hero's integrity.

Voice and the Hero's Introduction

The narrator introduces Herbert, the bound boy, through a contrast of physical description and moral assertion. The prose is direct, almost instructional: 'Herbert was not only a little taller than Oscar... but his shoulders were broader and his frame more muscular.' This plain style serves to underline the hero's merit—earned through work, not birth. The voice shifts between detached observation and moments of pointed commentary, as when the narrator notes that Oscar 'had never done any work to strengthen his arms, while Herbert had been forced by circumstances to do so.' The effect is to align the reader with Herbert's perspective without ever entering his interior thoughts.

Pace and the Fight Scene

The fight between Herbert and Oscar is a microcosm of the novel's pacing. The action unfolds in short, declarative sentences: 'Oscar flung himself upon Herbert... But the latter, without an effort, repelled the charge.' The rhythm accelerates with each exchange, then halts abruptly when a servant interrupts. This pattern—rapid physical conflict followed by a return to polite dialogue—recurs throughout the excerpts. The narrative lingers on the fight's aftermath, allowing Herbert to apologize in a 'manly tone' and Oscar to thaw, restoring social order. The pace thus mirrors the moral lesson: passion must be checked by decorum.

Setting and the Shift to Scenery

After leaving Wheeling, the narrative pace changes markedly. The narrator pauses the plot to describe 'the bold and romantic scenery visible from the car windows.' This is a rare moment of descriptive expansion; earlier scenes are dominated by dialogue and action. The shift suggests that travel and landscape serve as a respite from conflict. Mr. Carroll insists Herbert take the window seat, a small gesture that reinforces the older man's protective role. The scenic passage also hints at a broader world beyond the domestic and commercial struggles that occupy most of the story, offering the reader a brief, visual release.

Readers attentive to Alger's narrative craft will notice how he uses pace to underscore moral contrasts: rapid, tense exchanges expose selfishness, while slower scenes reward virtue. The hero's physical competence is established early, but his emotional restraint is tested repeatedly. The excerpts suggest that the novel's interest lies less in plot twists than in the steady, patterned demonstration of character through action and reaction.

I kept thinking about how Try and Trust slows down just when you expect it to hurry, letting a quiet moment breathe. That same patient pacing lives in All Aboard; or, Life on the Lake A Sequel to "The Boat Club" — A Closer Reading, where the water itself seems to set the tempo. It felt familiar, like a friend’s voice I’d heard before.

Lucas Moore
1 month ago

Benjamin Harris
3 weeks ago

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    Michele Norton - 1 month ago
    This classic rags-to-riches tale is a delightful journey of perseverance and moral integrity. Abner Holden's 'bound boy' faces adversity with unwavering courage, making the story both inspiring and heartwarming. The narrative is rich with period detail, and the character development is superb. It's a timeless read that underscores the value of honesty and hard work, perfect for those who appreciate vintage American literature with a strong moral compass.

  • ...
    Charles Ward - 2 weeks ago
    While the story has a good premise, it falls flat due to overly simplistic characterizations and a plot that is too convenient. The antagonist is cartoonishly evil, and the hero's trials are resolved too easily without real struggle. The prose is dated and often preachy, detracting from any potential enjoyment. For modern readers, this may come across as moralizing and predictable, lacking the depth or nuance expected from a classic.

  • ...
    Richard Brown - 2 weeks ago
    An engaging story with a strong moral lesson, 'Try And Trust' offers a glimpse into 19th-century values. The plot is straightforward and predictable, but the characters are likable and the writing is clear. It's a decent read for historical fiction fans, though the pacing drags in places and the resolution feels a bit too tidy. Still, it's worth a read if you enjoy classic tales of virtue rewarded.


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