The King's Sons — Inside the Classic
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There were four boys on the steepest slope of that hill-side--four fair-haired, sun-browned, hearty-looking boys--and they wore smock frocks, belted in at the waist, of fine, soft, woollen material, woven out of the fleeces of the sheep; for they were King's sons, the sons of the King whose flocks were feeding on the hill-side in Berkshire, where he had his Court.
It was as peaceful there as it was soft and beautiful; for though news came from time to time of the cruel acts of the fierce Norsemen who had come across the sea in their great row and sailing galleys full of fighting-men, they were far away from the King's home, so that Queen Osburga felt no anxiety about her boys being out on the downs at play, enjoying themselves and growing strong. This she loved to see; though, being a very learned woman herself in days when noble people thought no shame to have to say: "I cannot read or write," she sighed to find how very little her four sons cared for such things as gave her delight.
They all loved to be out in the open air along with Cerda, the Saxon jarl, one of the King's chief fighting-men, who urged them to learn how to use the broadsword. After setting one of the men to make swords for the boys--not of hard cutting steel, but of good tough ash-wood--and then matching them two against two, he would sit and roar with laughter at the blows they gave and took.
"Well done! At him again!" he cried. "Another wound; but it will not bleed."
It was Cerda, too, who had bows and arrows made for the boys, whilst King Ethelwulf would look on, sometimes smiling and sometimes sighing, for he cared nothing for these things.
"But we must have fighting-men, Swythe," he said, to a little plump, rosy-looking monk in a long gown held tightly to his waist by a knotted rope, which cut in a good way, for the monk was very fat.
"Oh, but fighting's bad, sir, very bad," said the monk, passing one of his hands round and round over his shining, closely-shaven crown.
"Very bad," said King Ethelwulf. "I hate it; but you know what the Danes have done to so many of your holy house--killing, burning, and carrying off everything that is good."
The monk screwed up his face, shook his head, and sighed, while the rosy little man looked so droll that the King smiled.
"Look here, Swythe," he said, "suppose a horde of the savage wretches came up here to plunder my pleasant home, what would you do?"
"Hah!" said the monk. "I am a man of peace, sir; I should run away."
"And leave the Queen and my boys and me to be killed or taken prisoners?"
"Hah! No," said the monk. "I couldn't do that. I'm afraid I should take the biggest staff I could lift--or a sword--or an axe--and--and if either of the wretches tried to touch our good Queen or either of my dear boys I should hit him as hard as ever I could."
"With the club?" said the King.
"No; I should strike him down with the axe, sir."
"But you might kill him, Swythe."
"And if I did, sir," said the little monk fiercely, "it would be a good thing too; for these Norsemen are wicked pagans, come to kill and slay."
"You see, we must have fighting-men, Swythe," said the King; and then he turned to the Queen, who was listening to what they said.
"Hah! yes, sir," said the monk, with a sigh. "I suppose we must; and it does my heart good to see how clever the young Princes are with sword and bow; but they spend too much time learning to fight. If they would only spend half the time learning with me!"
"Yes, it would be good," said Queen Osburga sadly.
"But they don't," continued the monk. "There's only young Alured-- Alfred, as you call him--who will learn at all, and he is nearly as idle as his brothers."
"You cannot say that they are idle," said the Queen, smiling gently.
"Well, perhaps not idle, my daughter," said the monk, shaking his head, "because they do work hard to learn what Jarl Cerda teaches them."
"Yes," said King Ethelwulf, "they are apt to learn how to fight; but you must make them learned, as kings should be, so as to rule wisely and well when the Danes have killed me and they are called upon to reign."
"The Danes never shall kill you, sir," cried the little monk fiercely, "so long as I can stand in their way."
The little group now separated, for the King and Queen had many duties to perform in connection with state affairs, and the little monk had to prepare the lessons for the boys.
And that's how matters were on that bright sunny day when King Ethelwulf's sons lay out on the steep hill-side--Bald, Bert, Red, and Fred--four as crisp and tongue-tripping names as four bright Saxon English boys could own, but each with the addition of Athel or Ethel before, except the youngest, in whose name it shortened into Al; and these were their titles, because each was a Prince.
One of the boys' amusements had been for one to shoot an arrow as high up as he could, and for his brothers to follow and try and hit the first one sent. Fine practice this in marksmanship, but unsatisfactory and tiring after a few tries, for the arrows flew far, and this time they had brought no young serfs' sons to retrieve the arrows, one of which took a long time to find.
But it was found at last, just as the head of a man appeared above the distant ridge; and the boys stopped to look, the head being followed by the shoulders and breast of the man, while behind him there was a fringe of something bright and shimmering in the sunshine.
The next minute the boys began to run, for they saw that the object first seen was a mounted man, and what followed the heads of spears borne by a party of quite a hundred men, whose leader had been seen first owing to his being mounted upon an active little horse.
"Where's Cerda going?" shouted one of the boys.
"There's a fight somewhere," said another.
And the other two joined in, crying together:
So, in a state of wild excitement and wonder that they had not heard the news of danger before, the boys raced to head off the body of armed men, the first up being greeted by the big bluff leader with a cheery shout.
"What now? What now?" he cried. "Have you boys come to tell us that we are too late, and that the enemy are all slain? Who was it found the Norsemen's ship?"
"Then the Danes have landed?" cried the eldest boy excitedly.
"Yes," cried his brother. "I knew that was it."
"Yes, that's it, boy," said the leader, dragging at his horse's head, for the animal was impatient to go on.
"Where are they?" cried the youngest boy, with his cheeks flushing and eyes sparkling.
"A day's journey away, my boy. The people over Farringdon way have asked for help, and the King sends me."
"That's right," cried the boy who had last spoken. "We'll go with you."
The leader smiled and shook his head, and the band of fine-looking, picked men indulged in a hearty laugh.
"What are you mocking and gibing at?" cried the youngest boy fiercely. "Do you think that because I and my brothers are young we cannot fight?"
"Yes," cried the eldest brother; "we can shoot an arrow with any of you. Pick out your four best men, Jarl Cerda, and we'll shoot against them."
"Yes," said another. "You know we can shoot well."
"Do I not?" said the jarl; "for I taught you."
"Yes, yes; they can all shoot well," came in concert.
"Oh, yes, they can shoot," said the leader; "but I have no time to prove it."
"Of course not," cried Alfred. "Never mind that. Lead on."
"I'm afraid we should never catch the Danes if you boys came," said the jarl solemnly.
"Why?" cried Bald, the eldest.
"Yes, why shouldn't we?" cried Ethelred.
"Don't ask him," said Alfred, frowning.
"Look at his eyes and the corners of his mouth. He's laughing at us."
The big jarl's shoulders began to shake, and his lids half-closed in his mirth, while the eyes of all four boys flashed in their anger.
"Why, of course I'm laughing, my boys," he said; "but it's not out of a desire to mock at you. I know you, my brave little fellows, and I hope to come back safe, and to see you all grow up to stark men who will deal well with the Norsemen. But you must wait a bit."
"No, no," cried Alfred. "We can stand back and shoot."
"So can the Danes, my boy; and their arrows are sharp."
"But we can shoot sharper and quicker than they," said Ethelred. "Oh, do take us, Jarl Cerda."
"No, my boy," said the stout Saxon noble firmly; "I cannot take you. The King stood by and picked out my men, and he said I was to take these and no more. Would you have me give pain to our good Queen Osburga by breaking the King's commands?"
"No," said Alfred, with a quick, old-fashioned look. "We cannot do that, boys."
"Come, that's bravely spoken, Alfred, boy; I like that," said the jarl, leaning down from his horse to pat the youngest boy on the shoulder. "Look here, if I come back safely after beating the Danes I'll bring you one of their winged helmets for a prize."
"You will?" cried Alfred.
"I promise you I will, my boy," cried the big Saxon noble, "and trophies for your brothers too.--There, we must go on. Good-bye, my brave boys. Give them a shout, my lads."
The men waved sword and spear in the air as they marched off and Alfred and his brothers stood watching them till the last twinkling spear had disappeared in the distance, and then the boys turned away with a sigh.
"Oh, I wish I was a man!" said Alfred sadly.
"No use to wish," said the next brother. "Here, let's go on down the stream to get some fish."
The disappointment was soon forgotten, and the boys dashed off downhill as hard as they could go, neither of them hearing a shout, nor seeing the little monk come panting up, to stand gazing ruefully after them and wiping the great drops of perspiration off his face and head.
"Oh, dear!" he said; "it's a fine thing to be young and strong, and--"
He paused for a few moments to look down at his plump proportions.
"--And light," he added sadly. "I can't run as they do."
He stood perfectly still as he spoke, watching the deep crease in the valley, whose bottom was hidden by clumps of willow and beds of reeds with their dark purply waving blooms.
"I suppose I must go after them," he sighed. "What can they want down there?"
The little monk sighed again and then started off to follow the boys, trying hard to walk slowly and steadily; but it was all in vain. The hill-side sloped very steeply to the broad bed of willows and reeds far below, making the way very bad for so heavy and inactive a man. Worse still: walking over the short grass in the hot sun had made the bottoms of the monk's sandals as slippery as glass, and so it was that before he had gone far down the slope he began to talk to himself, at first slowly--then quickly--then in a loud excited way--and lastly he uttered a shout and a cry for help.
"Here," he said, at first, "I want to go down slowly. It's too hot to walk fast. Steady! Why, I am going faster!"
Then there was a minute's pause, and the monk cried excitedly:
"I don't want to run." Then: "Oh, dear me, however am I to stop myself?" And directly after: "Oh, do stop me, somebody, or I shall be broken all to bits." And lastly: "Here, help, help, help!"
Then there was a loud crashing sound, some water flew up, the monk uttered a final "Oh!" and lay perfectly still, listening, for all at once a familiar voice cried:
"Oh, come here, quick! A sheep has gone plosh into the pool."
Boys were as much boys then as they are now, for directly after these words were uttered Alfred--the Little then--came hurrying as fast as the water would let him wade--splash, splash, splash!--from where he and his brothers had been busily making a dam across the little stream to turn the rushing water aside into another channel so as to leave the unfortunate trout helpless and ready for capture, and as soon as he caught sight of his teacher lying perfectly still he burst into a fit of hearty laughter.
"Come and look! Come and look!" he shouted.
His brothers wanted no further telling, but came splashing up out of the stream to the open shallow muddy bed where the reeds grew, and as soon as they saw the monk's condition they began to indulge in a bare-legged triumphal war-dance, shrieking with laughter the while.
"Bad boys; bad, thoughtless, wicked boys!" grunted Father Swythe; but he lay perfectly still with arms and legs spread apart as far as they would go.
"Why don't you stand up and walk out?" cried Fred, at last, taking compassion on his tutor's awkward plight.
"Because I'm so heavy, boy: I should sink."
"Oh, no. It isn't deep there. I've often waded about there to look for moorhens' nests."
"Yes, my boy; but you're young and light. I'm very heavy."
"Yes," cried one of the others, in high delight; "there's an arrow depth of water where you are, and quite a bow length of thick mud under that."
"Oh, dear!" groaned the monk; "don't laugh at me, my boys. Can't you help me out?"
"Yes, I'll get you out," cried Alfred, and he waded towards his unfortunate tutor, trampling the reeds down with his bare feet, but sinking in up to his knees at every step.
"Mind you don't get into a hole, Fred!" cried Bald.
"Mind the big luces!" shouted Bert. "There's a monster lives among those reeds."
"Oh, they all swam away when Father Swythe fell in," cried Red. "You have got to mind your toes. The big eels are down amongst the mud."
The monk groaned at this, and raised his dripping hands above the water, to grasp with each a handful of reeds.
"The eels will go deeper into the mud," said Alfred sturdily. "Now then, catch hold of my hands, and I'll pull you out."
The monk raised one hand very cautiously, and Alfred seized it tightly and began to back, pulling with all his might; but he pulled in vain, for he did not move his tutor an inch.
"Here, I know," cried Alfred. "You two come and join hands and pull."
"I'm afraid I'm too heavy," said Father Swythe.
"I shan't help," said Bald maliciously. "Let him stop where he is."
The monk groaned again, and the three boys outside the reeds laughed with malicious glee.
"If we pull him out he'll only take us back and begin to teach us to read."
"Yes, yes, yes," sighed Father Swythe; "I came to fetch you in. The Queen sent me."
"Then we won't help you," said Bert; laughing. "Let's go and finish getting our fish, and then go back. When they ask where he is we'll tell them, and then some of the shepherds can come with wattle hurdles and get him out."
"Oh, dear!" groaned the monk. "After all my teaching, for you boys to be as bad as this! Why, if you leave me I shall be drowned!"
"Oh, no," said Red merrily. "You've only to keep holding your face up."
"Yes," said Bert; "and that will send your legs down till you'll be standing up in the mud and water."
"And all the big flies and things will come and buzz about and settle on your crown. Come along, Fred, and finish the dam."
"If we finish the dam," said Alfred seriously, "all the water will run in here and make it deeper."
"Well, then he can swim out. You can swim, can't you?"
"No, no, no," said the monk sadly. "I never learned."
"What a pity!" said Red, laughing.
"You ought to have learned to swim instead of learning so much Latin," cried Bert.
"There isn't time to learn everything, my boys," said the monk sadly. "I'm obliged to try and teach you all: the King and Queen sent for me that I might. Please help me out."
"We're not going to," cried Bald. "Come along, boys. He ought to have learned to swim."
Bald began to move away, and the monk groaned again.
"Come along, Fred," cried Bert, and the monk turned his head sidewise so as to look piteously at the youngest boy.
"No, I'm not coming. I'm going to stop and help Father Swythe."
"Hah!" sighed the monk, and he squeezed Alfred's hand.
"No, you're not," cried Bald fiercely; "you're coming with us. Come along. He will not sink."
"I shan't come!" said Alfred sturdily.
"What? Here, boys, let's fetch him out."
There was a rush made towards where the boy stood knee-deep, and he snatched his hand free from the monk's grasp, turned half-round, stooped a little, and as his eldest brother came wading in among the reeds he scooped up the water and saluted him with a heavy shower right in the face, drenching him so that he turned tail and hurried back, the other two laughingly backing out of reach.
"Oh, you!" shouted. Bald. "Come out, or I'll hold you right under the water till you can't breathe."
"Come along then," cried Alfred boldly, and he sent another shower of water after his brother, wetting him behind now. "You'll be just as wet as I shall first."
"I shan't! You come here, if you dare!"
"Come and help me, boys," cried Bald; but the others only laughed.
"Come yourself, if you dare! Father Swythe will help me, and we'll duck you."
"Urrr!" growled Bald, stamping with rage. Then: "Never mind, boys: let them stop together. Give him a Latin lesson, Father Swythe."
"You stop a moment, all three of you," cried Alfred sharply. "You're not going away to leave Father Swythe like this. Go and fetch the big fir-pole that we laid across to begin the dam. If that's laid down here Father Swythe can pull himself out."
"Fetch it yourself!" cried Bald angrily. "We're not your serfs."
"I'm going to stop with Father Swythe," cried Alfred.
"Good boy! good boy!" whispered the monk.
"And look here," cried Alfred angrily: "it's cruel and wicked not to help him, and if you don't go I shall tell mother, and father will have you all punished severely."
"Tell, if you dare!" cried Bald, wringing out some of the water from the front of his tunic-like gown. "Come along, boys, and we'll get the fish without him."
Bald started off back to the stream, and the others followed him, the monk watching with piteous eyes till they were out of sight, when he turned his doleful, wrinkled face to his young companion, to tell him what he already knew.
"They're gone," he said sadly.
"Yes," said Alfred, laughing; "but only to fetch the fir-pole."
"Do you think so?" sighed the monk.
"Yes; they're afraid of my telling mother and making her angry. She doesn't like us to do cruel things: she'd tell us we were like the Danes. They'll come back soon with the pole, and then if you hold one end we can pull the other and draw you out. But I say, Father Swythe, you're big and strong. Don't you think if you were to try, you could get out on to the grass? Try and struggle out before they come back."
"But if I began to sink--"
"Then I should run and shout to the shepherds to come and pull you out."
"But I shouldn't like you to leave me to sink alone, my boy."
"It would be a long, long time before you were regularly mired," said the boy. "Now, you try! Give me both hands."
George Manville Fenn opens The King's Sons with a leisurely, almost painterly description of the Berkshire downs, comparing the rolling hills to the sea on a calm day. The narrative voice is unhurried, pausing to note the shepherds' smock frocks and the sheep's cropping teeth, before introducing the four fair-haired boys who are the king's sons. This opening establishes a pastoral world of soft green grass and blue sky, where the only threat is the distant news of Norsemen. The prose is deliberate, even digressive, as if inviting the reader to settle into a long tale.
A Deliberate Pace and Pastoral Setting
The first chapter moves slowly, devoting paragraphs to the landscape and the boys' clothing before any action occurs. Fenn's narrator describes the downs as 'smooth rolling downs that ought to have been called ups and downs,' a playful aside that signals a storyteller's voice. The setting is idyllic: the grass is 'as velvety as if Nature had been all over it regularly with her own particular mowing-machine.' This unhurried opening establishes a world of peace and order, where the king's sons play under the watchful eye of Cerda, the Saxon jarl. The pace mirrors the calm before the historical storms that will later trouble Alfred's reign.
Contrasting Voices: The Warrior and the Monk
Fenn juxtaposes two adult figures who represent different paths for the boys. Cerda, the jarl, speaks in short, energetic commands: 'Well done! At him again!' His laughter and encouragement of swordplay embody the martial ideal. In contrast, Father Swythe, the 'little plump, rosy-looking monk,' speaks gently and persuasively. When Alfred chooses to study rather than hunt, Swythe coaxes him with promises of making ink and illuminating letters. The dialogue between these two voices—one brusque and physical, the other patient and intellectual—creates a tension that drives Alfred's internal conflict. The narrative voice itself shifts between these registers, sometimes brisk during action scenes, more measured during scholarly moments.
Alfred's Quiet Rebellion and Narrative Focus
As the story progresses, the narrative increasingly centers on Alfred, the youngest son. In Chapter Five, after his brothers sneak off for an otter hunt, Alfred feels 'a feeling of bitter disappointment' but recalls his mother's approval. The prose here becomes introspective, tracking Alfred's thoughts as he lies in the dark, listening to his brothers whisper. Fenn uses short, simple sentences to convey Alfred's emotional state: 'He felt better when he recalled the Queen's words.' The shift in pace—from the outdoor action of the hunt to the quiet interior of the bedchamber—mirrors Alfred's turn from physical pursuits to inner reflection. The narrative voice aligns with Alfred's perspective, making his choice to study with Father Swythe feel like a quiet victory.
Readers attentive to shifts in narrative pace will notice how Fenn alternates between expansive descriptions of the downs and tighter, more intimate scenes of Alfred's inner life. The novel rewards those who read slowly, savoring the details of Saxon daily life—the smock frocks, the ash-wood swords, the making of ink. Pay particular attention to the moments when the narrator steps back to comment on the scene, as these asides often reveal the author's own gentle irony about the past.
There's something tender about young Alfred in The King's Sons, caught between duty and the quiet pull of books. It made me think of another boy—a growing one, restless in his own skin, trying to find where he fits. Dab Kinzer: A Story of a Growing Boy — Text and Context holds that same ache of becoming, gentler than history, just as true. I still wonder which path either chose.
Avery Nelson
1 week agoIsabella Scott
1 week ago-
Tanner Bishop - 1 month ago
{'rating': 3, 'text': "The King's Sons offers an intriguing premise with well-drawn characters and a richly detailed setting. However, the pacing lags in the middle sections, making it a bit of a slog before the action picks up again. The ending is strong, but some plot threads feel rushed. An enjoyable read, but not without its flaws."} -
Darlene Joseph Figueroa - 3 weeks ago
{'rating': 2, 'text': "Despite an interesting concept, The King's Sons fails to deliver. The plot is predictable, and the characters are one-dimensional, lacking the complexity needed to make their conflicts compelling. The prose is dense and often overwrought, which makes the reading experience tedious. I found it difficult to finish, and the climactic resolution felt unearned. There are far better historical novels out there."} -
Phillip Ryan - 3 weeks ago
{'rating': 5, 'text': "A captivating tale of royal intrigue and sibling rivalry that kept me turning pages late into the night. The character development is superb, and the plot twists are both unexpected and satisfying. The author's vivid prose brings the medieval court to life, making you feel every ambition and betrayal. A must-read for fans of historical fiction who crave depth and drama."}
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