The Works of Robert Louis Stevenson - Swanston Edition, Vol. 05 — A Reader’s Guide

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Stevenson, Robert Louis, 1850-1894, Lang, Andrew, 1844-1912 [Other] Project Gutenberg 2009 Not confirmed
Fiction; English literature -- 19th century Readers of public-domain and historical texts
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Words 110,425
Reading time 481 min
Text sections 10

This digital edition of The Works of Robert Louis Stevenson - Swanston Edition, Vol. 05 — A Reader’s Guide is described by source-level measurements including 110,425 words, 8 hr 1 min estimated reading time, and 10 detected text sections.

The text analysis averages about 21.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Fiction,” connecting these edition facts with the source record’s subject description.

This volume pairs Stevenson's collaborative 'The Dynamiter' with the complete 'Strange Case of Dr Jekyll and Mr Hyde' and the short story 'Thrawn Janet'. The opening dedication to police officers Cole and Cox frames political crime as a 'vile shape' that the authors treat with deliberate levity, while the excerpts show a narrative voice that shifts between ironic detachment and psychological intensity.
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Challoner was rooted to the spot. At last his reason and his fear awoke together, and with the most unwonted energy he fell to running.

Little by little this first dash relaxed, and presently he had resumed his sober gait and begun to piece together, out of the confused report of his senses, some theory of the occurrence. But the occasion of the sounds and stench that had so suddenly assailed him, and the strange conjunction of fugitives whom he had seen to issue from the house, were mysteries beyond his plummet. With an obscure awe he considered them in his mind, continuing, meanwhile, to thread the web of streets, and once more alone in morning sunshine.

In his first retreat he had entirely wandered; and now, steering vaguely west, it was his luck to light upon an unpretending street, which presently widened so as to admit a strip of gardens in the midst. Here was quite a stir of birds; even at that hour, the shadow of the leaves was grateful; instead of the burnt atmosphere of cities, there was something brisk and rural in the air; and Challoner paced forward, his eyes upon the pavement and his mind running upon distant scenes, till he was recalled, upon a sudden, by a wall that blocked his further progress. This street, whose name I have forgotten, is no thoroughfare.

He was not the first who had wandered there that morning; for, as he raised his eyes with an agreeable deliberation, they alighted on the figure of a girl, in whom he was struck to recognise the third of the incongruous fugitives. She had run there, seemingly, blindfold; the wall had checked her career; and being entirely wearied, she had sunk upon the ground beside the garden railings, soiling her dress among the summer dust. Each saw the other in the same instant of time; and she, with one wild look, sprang to her feet and began to hurry from the scene.

Challoner was doubly startled to meet once more the heroine of his adventure and to observe the fear with which she shunned him. Pity and alarm, in nearly equal forces, contested the possession of his mind; and yet, in spite of both, he saw himself condemned to follow in the lady's wake. He did so gingerly, as fearing to increase her terrors; but, tread as lightly as he might, his footfalls eloquently echoed in the empty street. Their sound appeared to strike in her some strong emotion; for scarce had he begun to follow ere she paused. A second time she addressed herself to flight; and a second time she paused. Then she turned about, and, with doubtful steps and the most attractive appearance of timidity, drew near to the young man. He on his side continued to advance with similar signals of distress and bashfulness. At length, when they were but some steps apart, he saw her eyes brim over, and she reached out both her hands in eloquent appeal.

"Are you an English gentleman?" she cried.

The unhappy Challoner regarded her with consternation. He was the spirit of fine courtesy, and would have blushed to fail in his devoirs to any lady; but, in the other scale, he was a man averse from amorous adventures. He looked east and west; but the houses that looked down upon this interview remained inexorably shut; and he saw himself, though in the full glare of the day's eye, cut off from any human intervention. His looks returned at last upon the suppliant. He remarked with irritation that she was charming both in face and figure, elegantly dressed and gloved: a lady undeniable; the picture of distress and innocence; weeping and lost in the city of diurnal sleep.

"Madam," he said, "I protest you have no cause to fear intrusion; and if I have appeared to follow you, the fault is in this street, which has deceived us both."

An unmistakable relief appeared upon the lady's face. "I might have guessed it!" she exclaimed. "Thank you a thousand times! But at this hour, in this appalling silence, and among all these staring windows, I am lost in terrors--oh, lost in them!" she cried, her face blanching at the words. "I beg you to lend me your arm," she added with the loveliest, suppliant inflection. "I dare not go alone; my nerve is gone--I had a shock, O what a shock! I beg of you to be my escort."

"My dear madam," responded Challoner heavily, "my arm is at your service."

She took it and clung to it for a moment, struggling with her sobs; and the next, with feverish hurry, began to lead him in the direction of the city. One thing was plain, among so much that was obscure: it was plain her fears were genuine. Still, as she went, she spied around as if for dangers; and now she would shiver like a person in a chill, and now clutch his arm in hers. To Challoner her terror was at once repugnant and infectious; it gained and mastered, while it still offended him; and he wailed in spirit and longed for release.

"Madam," he said at last, "I am, of course, charmed to be of use to any lady; but I confess I was bound in a direction opposite to that you follow, and a word of explanation----"

"Hush!" she sobbed, "not here--not here!"

The blood of Challoner ran cold. He might have thought the lady mad; but his memory was charged with more perilous stuff; and in view of the detonation, the smoke, and the flight of the ill-assorted trio, his mind was lost among mysteries. So they continued to thread the maze of streets in silence, with the speed of a guilty flight, and both thrilling with incommunicable terrors. In time, however, and above all by their quick pace of walking, the pair began to rise to firmer spirits; the lady ceased to peer about the corners; and Challoner, emboldened by the resonant tread and distant figure of a constable, returned to the charge with more of spirit and directness.

"I thought," he said, in the tone of conversation, "that I had indistinctly perceived you leaving a villa in the company of two gentlemen."

"Oh!" she said, "you need not fear to wound me by the truth. You saw me flee from a common lodging-house, and my companions were not gentlemen. In such a case, the best of compliments is to be frank."

"I thought," resumed Challoner, encouraged as much as he was surprised by the spirit of her reply, "to have perceived, besides, a certain odour. A noise, too--I do not know to what I should compare it----"

"Silence!" she cried. "You do not know the danger you invoke. Wait, only wait; and as soon as we have left those streets and got beyond the reach of listeners, all shall be explained. Meanwhile, avoid the topic. What a sight is this sleeping city!" she exclaimed; and then, with a most thrilling voice, "'Dear God,'" she quoted, "'the very houses seem asleep, and all that mighty heart is lying still.'"

"I perceive, madam," said he, "you are a reader."

"I am more than that," she answered, with a sigh. "I am a girl condemned to thoughts beyond her age; and so untoward is my fate, that this walk upon the arm of a stranger is like an interlude of peace."

They had come by this time to the neighbourhood of the Victoria Station; and here, at a street corner, the young lady paused, withdrew her arm from Challoner's, and looked up and down as though in pain or indecision. Then, with a lovely change of countenance, and laying her gloved hand upon his arm:

"What you already think of me," she said, "I tremble to conceive; yet I must here condemn myself still further. Here I must leave you, and here I beseech you to wait for my return. Do not attempt to follow me or spy upon my actions. Suspend yet awhile your judgment of a girl as innocent as your own sister; and do not, above all, desert me. Stranger as you are, I have none else to look to. You see me in sorrow and great fear; you are a gentleman, courteous and kind; and when I beg for a few minutes' patience, I make sure beforehand you will not deny me."

Challoner grudgingly promised; and the young lady, with a grateful eye-shot, vanished round the corner. But the force of her appeal had been a little blunted; for the young man was not only destitute of sisters, but of any female relative nearer than a great-aunt in Wales. Now he was alone, besides, the spell that he had hitherto obeyed began to weaken; he considered his behaviour with a sneer; and plucking up the spirit of revolt, he started in pursuit. The reader, if he has ever plied the fascinating trade of the noctambulist, will not be unaware that, in the neighbourhood of the great railway centres, certain early taverns inaugurate the business of the day. It was into one of these that Challoner, coming round the corner of the block, beheld his charming companion disappear. To say he was surprised were inexact, for he had long since left that sentiment behind him. Acute disgust and disappointment seized upon his soul; and with silent oaths he damned this commonplace enchantress. She had scarce been gone a second ere the swing-doors reopened, and she appeared again in company with a young man of mean and slouching attire. For some five or six exchanges they conversed together with an animated air; then the fellow shouldered again into the tap; and the young lady, with something swifter than a walk, retraced her steps towards Challoner. He saw her coming, a miracle of grace; her ankle, as she hurried, flashing from her dress; her movements eloquent of speed and youth; and though he still entertained some thoughts of flight, they grew miserably fainter as the distance lessened. Against mere beauty he was proof: it was her unmistakable gentility that now robbed him of the courage of his cowardice. With a proved adventuress he had acted strictly on his right; with one whom, in spite of all, he could not quite deny to be a lady, he found himself disarmed. At the very corner from whence he had spied upon her interview, she came upon him, still transfixed, and--"Ah!" she cried, with a bright flush of colour. "Ah! Ungenerous!"

The sharpness of the attack somewhat restored the Squire of Dames to the possession of himself.

"Madam," he returned, with a fair show of stoutness, "I do not think that hitherto you can complain of any lack of generosity; I have suffered myself to be led over a considerable portion of the metropolis; and if I now request you to discharge me of my office of protector, you have friends at hand who will be glad of the succession."

She stood a moment dumb.

"It is well," she said. "Go! go, and may God help me! You have seen me--me, an innocent girl! fleeing from a dire catastrophe and haunted by sinister men; and neither pity, curiosity, nor honour move you to await my explanation or to help in my distress. Go!" she repeated. "I am lost indeed." And with a passionate gesture she turned and fled along the street.

Challoner observed her retreat and disappear, an almost intolerable sense of guilt contending with the profound sense that he was being gulled. She was no sooner gone than the first of these feelings took the upper hand; he felt, if he had done her less than justice, that his conduct was a perfect model of the ungracious; the cultured tone of her voice, her choice of language, and the elegant decorum of her movements, cried out aloud against a harsh construction; and between penitence and curiosity he began slowly to follow in her wake. At the corner he had her once more full in view. Her speed was failing like a stricken bird's. Even as he looked, she threw her arm out gropingly, and fell and leaned against the wall. At the spectacle, Challoner's fortitude gave way. In a few strides he overtook her, and, for the first time removing his hat, assured her in the most moving terms of his entire respect and firm desire to help her. He spoke at first unheeded; but gradually it appeared that she began to comprehend his words; she moved a little, and drew herself upright; and finally, as with a sudden movement of forgiveness, turned on the young man a countenance in which reproach and gratitude were mingled. "Ah, madam," he cried, "use me as you will!" And once more, but now with a great air of deference, he offered her the conduct of his arm. She took it with a sigh that struck him to the heart; and they began once more to trace the deserted streets. But now her steps, as though exhausted by emotion, began to linger on the way; she leaned the more heavily upon his arm; and he, like the parent bird, stooped fondly above his drooping convoy. Her physical distress was not accompanied by any failing of her spirits; and hearing her strike so soon into a playful and charming vein of talk, Challoner could not sufficiently admire the elasticity of his companion's nature. "Let me forget," she had said, "for one half-hour, let me forget"; and sure enough, with the very word, her sorrows appeared to be forgotten. Before every house she paused, invented a name for the proprietor, and sketched his character: here lived the old general whom she was to marry on the fifth of the next month, there was the mansion of the rich widow who had set her heart on Challoner; and though she still hung wearily on the young man's arm, her laughter sounded low and pleasant in his ears. "Ah," she sighed, by way of commentary, "in such a life as mine I must seize tight hold of any happiness that I can find."

When they arrived, in this leisurely manner, at the head of Grosvenor Place, the gates of the park were opening, and the bedraggled company of night-walkers were being at last admitted into that paradise of lawns. Challoner and his companion followed the movement, and walked for awhile in silence in that tatterdemalion crowd; but as one after another, weary with the night's patrolling of the city pavement, sank upon the benches or wandered into separate paths, the vast extent of the park had soon utterly swallowed up the last of these intruders; and the pair proceeded on their way alone in the grateful quiet of the morning.

Presently they came in sight of a bench, standing very open on a mound of turf. The young lady looked about her with relief.

"Here," she said, "here at last we are secure from listeners. Here, then, you shall learn and judge my history. I could not bear that we should part, and that you should still suppose your kindness squandered upon one who was unworthy."

Thereupon she sat down upon the bench, and motioning Challoner to take a place immediately beside her, began in the following words, and with the greatest appearance of enjoyment, to narrate the story of her life.

STORY OF THE DESTROYING ANGEL

My father was a native of England, son of a cadet of a great ancient but untitled family; and by some event, fault, or misfortune he was driven to flee from the land of his birth and to lay aside the name of his ancestors. He sought the States; and instead of lingering in effeminate cities, pushed at once into the Far West with an exploring party of frontiersmen. He was no ordinary traveller; for he was not only brave and impetuous by character, but learned in many sciences, and above all in botany, which he particularly loved. Thus it fell that, before many months, Fremont himself, the nominal leader of the troop, courted and bowed to his opinion.

They had pushed, as I have said, into the still unknown regions of the West. For some time they followed the track of Mormon caravans, guiding themselves in that vast and melancholy desert by the skeletons of men and animals. Then they inclined their route a little to the north, and, losing even these dire memorials, came into a country of forbidding stillness. I have often heard my father dwell upon the features of that ride: rock, cliff, and barren moor alternated; the streams were very far between; and neither beast nor bird disturbed the solitude. On the fortieth day they had already run so short of food that it was judged advisable to call a halt and scatter upon all sides to hunt. A great fire was built, that its smoke might serve to rally them; and each man of the party mounted and struck off at a venture into the surrounding desert.

My father rode for many hours with a steep range of cliffs upon the one hand, very black and horrible; and upon the other an unwatered vale dotted with boulders like the site of some subverted city. At length he found the slot of a great animal, and from the claw-marks and the hair among the brush, judged that he was on the track of a cinnamon bear of most unusual size. He quickened the pace of his steed, and, still following the quarry, came at last to the division of two watersheds. On the far side the country was exceeding intricate and difficult, heaped with boulders, and dotted here and there with a few pines, which seemed to indicate the neighbourhood of water. Here, then, he picketed his horse, and, relying on his trusty rifle, advanced alone into that wilderness.

Presently, in the great silence that reigned, he was aware of the sound of running water to his right; and leaning in that direction, was rewarded by a scene of natural wonder and human pathos strangely intermixed. The stream ran at the bottom of a narrow and winding passage, whose wall-like sides of rock were sometimes for miles together unscalable by man. The water, when the stream was swelled with rains, must have filled it from side to side; the sun's rays only plumbed it in the hour of noon; the wind, in that narrow and damp funnel, blew tempestuously. And yet, in the bottom of this den, immediately below my father's eyes as he leaned over the margin of the cliff, a party of some half a hundred men, women, and children lay scattered uneasily among the rocks. They lay, some upon their backs, some prone, and not one stirring; their upturned faces seemed all of an extraordinary paleness and emaciation; and from time to time, above the washing of the stream, a faint sound of moaning mounted to my father's ears.

While he thus looked, an old man got staggering to his feet, unwound his blanket, and laid it, with great gentleness, on a young girl who sat hard by propped against a rock. The girl did not seem to be conscious of the act; and the old man, after having looked upon her with the most engaging pity, returned to his former bed and lay down again uncovered on the turf. But the scene had not passed without observation even in that starving camp. From the very outskirts of the party, a man with a white beard and seemingly of venerable years, rose up on his knees and came crawling stealthily among the sleepers towards the girl; and judge of my father's indignation, when he beheld this cowardly miscreant strip from her both the coverings and return with them to his original position. Here he lay down for a while below his spoils, and, as my father imagined, feigned to be asleep; but presently he had raised himself again upon one elbow, looked with sharp scrutiny at his companions, and then swiftly carried his hand into his bosom and thence to his mouth. By the movement of his jaws he must be eating; in that camp of famine he had reserved a store of nourishment; and, while his companions lay in the stupor of approaching death, secretly restored his powers.

The volume opens with a dedication to two police officers that immediately sets an unusual tone: the authors address crime as an 'ugly devil' but insist on treating it in a spirit of levity, reserving horror for political hypocrisy rather than the acts themselves. This framing, coupled with the elaborate Swanston Edition colophon, signals that the reader is entering a curated collection where Stevenson’s collaborative work sits alongside his most famous novella.

The excerpts from 'The Dynamiter' reveal a first-person narrative that moves from a slave girl’s encounter with the menacing Madam Mendizabal—whose 'savoury lust of cruelty' is described with precise, unsettling detail—to a father’s harsh questioning. The prose is dense with sensory observation and emotional volatility, suggesting a story that balances adventure with psychological tension.

The Dedication as a Key to Tone

The dedication to Messrs. Cole and Cox is more than a courtesy: it establishes the authors’ stance toward their subject. They speak of 'that ugly devil of crime' and admit to having 'coquetted with political crime' themselves, likening their earlier attitude to a schoolboy applauding 'what was specious.' This self-implication is rare in adventure fiction and invites the reader to consider the moral complexity beneath the surface. The dedication ends by praising the police officers’ role as 'pure,' a stark contrast to the murky morality of the tales that follow. Readers should note how this framing colors the subsequent narratives, especially the story of the 'Destroying Angel' and the 'Spirited Old Lady,' where crime is presented with a mixture of horror and ironic detachment.

Voice and Psychological Detail in 'The Dynamiter'

The excerpt from the 'Story of the Fair Cuban' showcases Stevenson’s ability to render psychological states through physical description. The narrator recoils from Madam Mendizabal not because of her appearance alone—she is described as having 'elegant carriage' and 'musical speech'—but because of 'some emanation of her soul' that causes 'a kind of fainting terror.' The woman’s cruelty is conveyed through dialogue: she speaks of 'breaking' servants and takes 'a pleasure' in threatening a whip. The narrator’s flight, described as a 'cry of rage, fear, and despair,' is followed by a father who 'started and turned pale' at the mention of the stranger. These details build a world where power dynamics are unstable and fear is contagious, a pattern that likely recurs throughout the collection.

Structure and Framing Devices

The table of contents reveals a complex nested structure: 'The Dynamiter' is divided into multiple adventures (Challoner’s, Somerset’s, Desborough’s), each containing sub-stories like 'Story of the Destroying Angel' and 'Zero’s Tale of the Explosive Bomb.' This frame-within-frame technique, reminiscent of the earlier 'New Arabian Nights,' suggests that the reader should pay attention to how tales are embedded and who tells them. The 'Prologue of the Cigar Divan' and 'Epilogue of the Cigar Divan' bookend the work, implying a setting where stories are exchanged among a group. The inclusion of 'Strange Case of Dr Jekyll and Mr Hyde'—a tightly focused novella—alongside this sprawling, collaborative work creates a contrast in narrative economy that rewards comparison.

From Collaborative Adventure to Gothic Novella

The volume’s second half shifts dramatically with 'Strange Case of Dr Jekyll and Mr Hyde.' The chapter titles—'Story of the Door,' 'Search for Mr. Hyde,' 'The Carew Murder Case'—indicate a detective-like progression, while 'Henry Jekyll’s Full Statement of the Case' promises a first-person revelation. The excerpts do not include the novella’s text, but its presence alongside 'The Dynamiter' invites the reader to consider how Stevenson handles similar themes—duplicity, hidden identities, the eruption of violence—in different modes. 'Thrawn Janet,' a short story, closes the volume with a Scottish supernatural tale, offering yet another register. Readers may find it instructive to compare the collaborative, ironic tone of the opening with the concentrated horror of Jekyll and Hyde, noting how Stevenson adapts his style to each form.

As you read, observe how the dedication’s promise of levity interacts with the actual violence and fear depicted in the excerpts. The volume rewards attention to narrative frames—who tells each story and why—and to the recurring motif of characters who are not what they seem. Whether in the Cuban island or the London streets of Jekyll and Hyde, Stevenson’s prose insists on the physical and emotional reality of his characters’ experiences, even when the plots veer toward the fantastical.

I remember returning to the Swanston volume this autumn, lingering over the queer, clinical dread of Jekyll’s confession. It made me think of a quieter book I once read, one that similarly turned a haunting inward rather than outward. There is a particular ache in both, a sense of something owned but never fully possessed. That’s what I recall from The magnificent possession — A Closer Reading.

Noah Baker
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Dylan Adams
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Olivia Sanchez
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    James Horne - 4 weeks ago
    A comprehensive collection that includes some of Stevenson's finest pieces, but the edition lacks annotations that could enhance understanding. The typeface is also small in places, making it a bit hard to read. Still, a worthwhile addition to a library.

  • ...
    Mary Garza - 3 weeks ago
    This volume is a treasure trove of Stevenson's work, showcasing his versatility from adventure to essays. The editorial notes provide valuable context, and the selection is well-balanced. A must-have for any serious reader of classic literature.

  • ...
    Linda Hicks - 2 weeks ago
    This volume feels like a hodgepodge, with no clear thematic organization. Some selections are obscure and will appeal only to specialists. The lack of critical introductions makes it less accessible for general readers. There are better Stevenson editions available.


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